If there was one exhibit I could go to this year it would be to Colonial Williamsburg and the Quilts in the Baltimore Manner exhibition.
http://www.colonialwilliamsburg.com/do/art-museums/rockefeller-museum/quilts-in-baltimore/
There are some pictures of the gallery on the Quaker Quilts blog
http://www.quakerquilthistory.com/2012/11/a-quaker-quilt-and-apple-pie-ridge.html
and here.
http://www.quakerquilthistory.com/2012/11/quilts-in-baltimore-manner.html
Barbara Brackman has some great closeups from the exhibit on her blog
http://barbarabrackman.blogspot.com.au/2012/11/quilts-at-dar-museum.html
Barbara has focused on the detail of the applique and the stitching around each shape. We usually try our best to hide the stitching but many of the quilters here used the stitching as embroidery to add to the design.
Showing posts with label Baltimore. Show all posts
Showing posts with label Baltimore. Show all posts
Wednesday, January 16, 2013
Friday, August 24, 2012
From the Library - What's in a Name
One of my newer books in my small yet rapidly growing collection is from the International Quilt Study Centre & Museum at Lincoln , Nebraska. It is called "What's in a Name?: Inscribed Quilts" by Carolyn Ducey & Jonathan Gregory. Ducey is the Curator of Collections and Gregory is the Assistant Curator of Collections at the museum.
This book is a catalogue of an exhibition at the museum of nineteenth-century quilts. This is one of my favourites in the collection.
This quilt was made in 1845 in Baltimore, Maryland and records the members of the Hargest family. The family history surrounding the quilt has been complied by a descendant of the family.
Red and green are always a winning combination, but I expecially like the geometric sashing between the blocks. There are a variety of red prints but the same print is used for each block. I wonder if the red diamonds and squares are pieced or appliqued?
This book is a catalogue of an exhibition at the museum of nineteenth-century quilts. This is one of my favourites in the collection.
This quilt was made in 1845 in Baltimore, Maryland and records the members of the Hargest family. The family history surrounding the quilt has been complied by a descendant of the family.
Red and green are always a winning combination, but I expecially like the geometric sashing between the blocks. There are a variety of red prints but the same print is used for each block. I wonder if the red diamonds and squares are pieced or appliqued?
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