Tuesday, July 23, 2019

A CCCQ Finish

A few months ago I met up with Carole / Wheels on the Warrandyte Bus at Gippsbeary Cottage in Korrumburra.  There were other people there too, but Carole and I stole some time to bring out our Chester Criswell quilts. You may remember when Carole did a guest blog post showing her beautiful applique work while the Chester Criswell Quilt was a block of the month.


A preview of Carole's quilt

Friends - Carole's quilt and my CCCQ




Well.  Carole entered her CCCQ (Chester County Criswell Quilt) in the Victorian Quilters Quilt Showcase and it was accepted. Congratulations!  It will be on display from tomorrow, 25th July through the 28th July at the Stitches and Crafts Show in Melbourne.  Look out for it!

If you were at the Sydney Quilt Show you may have seen Michelle's CCCQ - you may not have recognised it at first but it is a magnificent interpretation.  If you are on Instagram read the touching story of this quilt #michellethequilter.





I can't help but be a little bit proud - I feel like a quilty godmother!

If you are feeling inspired the patterns are still available on Etsy.  I haven't yet uploaded all the patterns but here are some to get you started. More to follow!



 

Tuesday, July 2, 2019

Time for a Fresh Quilt Saga

The response to my latest Kindle e-book Cadet Blue and Texas Too has been most pleasing, thank you.  There are plenty of copies left so you won't miss out!

Now that the book has gone to print it's time to explore another signature quilt. Hooray!



I've had this quilt top about two years and did some research when it arrived.  It's from Armstrong County, PA, which was coal mining and steel mills and manufacturing when the quilt was made in the late 1930s.  It's just a top and never used so the colours are nice and bright and the signatures are clear. 

Let's begin at the beginning.  I have chosen just one block at random to explore - see that blue one near the top? Here it is.



Mildred Alice Doverspike was the eldest in a family of five girls. Mildred grew up on the family farm and completed high school.  In the 1940 census Mildred is 25 years old and working as a live-in maid. She never married and died at the age of 70. So far, that's all I know, but I expect as the quilt research progresses we may learn more about her.




The block is easy to make as a ten inch block but I wanted mine to be nine inches which took some calculating.  It has a lot of different names - Nest and Fledgeling, Rolling Stone, Wedding Ring, Single Wedding Ring, Odd Scraps, Mill Wheel, English Wedding Ring, Old Fashioned Wedding Ring and Vice President's Block.  It seems unfair to call it Wedding Ring for spinster Mildred so I'm going with Nest and Fledgeling. Now, what block shall I choose for next post? Any thoughts?


 A simple pattern in triangles and quadrilaterals but with many a corner to turn is "Nest and Fledgeing," a typically spring time block.  The color specified is orange but whatever your "bedroom" color this pattern will be equally lovely. Allow for seams.


Friday, June 21, 2019

Cadet Blue and Texas Too: Quaker Quilts on Kindle

I have added another title to my Kindle bookshelf.


Cadet Blue and Texas Too


This story took longer than I thought to finish.  The story has unfolded on this blog.  I bought the first quilt way back in 2015. That was an interesting blog post because it turns out that my initial assumptions about the quilt have been mostly proved to be wrong.

I discovered the second quilt in 2016 when pictures of it were shared on Facebook.  Two quilts from one family, made twenty years apart and showing up in the same Facebook group nearly one hundred years later. What a happy co-incidence!

Then in 2017 I was able to add Quilt #2 to my collection and the two quilts now live side by side happily ever after.

The story revealed by the research is amazing.  The e-book has just been released on Kindle.  Remember you don't need an actual Kindle to download, I use the Kindle app on my phone.  USA readers can get it here, and Australia readers can get it there.




It's not a long book, you will need two or three cups of tea to finish it.  And if you are able to share on your social media account, I would be very grateful. I hope you enjoy it!


Wednesday, June 19, 2019

Noonday Lily - A Bit of a Challenge

I now have another McKim Sampler.  This one is just a top and I think the maker was a young girl who still was on a learning curve when it came it needlework.

Noonday Lily from the McKim Sampler patterns


It is a combination of pieced and applique, and there is a blanket stitch around the stem and leaves.  There are a few tucks in the block to get all the pieces together.




The block is hand pieced using black thread - even on the white lily flowers.  The finished quilt blocks are all machined together with a bobbin tension that was too tight.




Then I noticed this detail on the front of the block. See that tiny triangle near the bottom of the block?  What happened here?







My guess is a slip of the scissors, and a quick patch was inserted to make things ... well, almost right again. The vague instructions printed in the newspaper didn't make the job any easier.





This is one of those lovely old quilts which so effectively combine pieced blocks with a bit of applique into most charming unity.  Patterns, as the others in our series, are size to mark and sew to, but they cut a seam larger all around.
The small pieced squares are made first, then joined together as shown with plain blocks the same size and one which cuts the area of four small squares, that is about nine inches, which allows for seams.  The longer straight stem pattern also is not given but should be about twelve inches long of the darker green.
Sixteen whole blocks set together diagonally with plain pale green squares of equal size make a center about sixty-eight inches square.  This with ten-inch border, top and sides with sixteen inches bottom border completes about seventy-eight by eighty-four.  The border of light or darker green could be enhanced by small pieced lily squares appliqued at regular intervals.
A number of women have written requesting the entire set of patchwork quilts patterns which is now running on the Woman's Page.  The entire set will not be for sale until all the patterns have been run in the paper.
If you have missed a block, or want extra copies of any of those which have been printed, just write to THE POST'S Quilt club, giving the name and number of the one you want, and inclosing 10 cents, the price of each back block, and a stamped, self-addressed envelope.

Wednesday, June 12, 2019

Paper Piecing Pinwheel Star

This week's block is a Pinwheel Star.


Isn't it pretty? The geometry is mind boggling, those diamonds don't have equal sides; and three pieces inside the square meet four pieces around the edge.  I used EQ7 to print the pattern BB3866 as templates, then copied the page three more times onto heavy paper to use as English paper piecing templates.  Here is the back view.



English paper piecing - EPP - isn't my favourite activity, it is slow, but the end result is beautifully neat.  My block is 14 inches square.  The original pattern was in The Patchwork Book 1931 as a nine inch block!



I am going to use this big block as the centre of a small quilt.  The fabric range is called Yarra Valley, by the amazing Australian designers Max and Louise. I love the tiny conversation prints.  Here are a few more blocks to go with the Pinwheel Star.



Remember how I retired in March? Me neither.  I thought, with retirement, that I would have lots and lots of time and the blog posts would almost write themselves.  However I have been working again.  I spent three weeks working for the Australian Electoral Commission with the recent Federal election.  Long hours, precision work but entirely fascinating. The election work reminded me how fortunate it was to live in a democracy where everyone has a vote, every vote is equal and every vote counts.

I'll get back to retirement next week.

Thursday, May 9, 2019

Empire Star & May the Fourth

Last week was Star Wars Day, as in "May the 4th be with you"



My block of the day is Empire Star.

If you Google this block you will find is can be made entirely of half square triangles. Like this:



I didn't think this was a traditional block but I was wrong.  BlockBase lists the source of this block as the Hearth and Home magazine. Barbara Brackman has a post about the quilt designer for Hearth and Home, Clara Stone.



Clara Stone's patterns were collected and published in 1906 in a booklet called Practical Needlework.




1906!  That is twenty years before Ruby McKim and Nancy Cabot.  Brackman says the McKim and Cabot most likely used Clara Stone's patterns as a source document. 
The post has a number of Clara Stone's blocks, and then, almost as an afterthought -

You can have a copy of Clara Stone's innovative booklet as a free PDF here:

Jackpot! I downloaded the PDF and printed it out.  It reminds me of the quilt block books I used to borrow from the school library fifty years ago; black and white drawings, no colours, no information, just page after page of quilt blocks.

I didn't find Empire Star in this booklet, however I did find Star of Empire.  Unfortunately it's a completely different pattern.


Top left hand corner.  How do you think that would be pieced?

And, what block would you choose for Star Wars Day?

Wednesday, April 10, 2019

Double 9 Patch and Treasures from the Barn

This week's block is an easy one - Double 9 Patch.







This block was included in Ruby McKim's Sampler Quilt.  My 1930s sampler has seen better days.





I was pleased to find an easy block in the Kansas City Star collection.  When I decided to follow the KCS for my block of the week I thought I would just find the relevant block, make it and post it.  However not all of the KCS are straight forward.  It took me two weeks to make the Rising Sun.  I skipped a few - should I now try and catch up with Broken Circle and Princess Feather?  I think I better think it out again.







I attended a workshop at a lovely quilt shop that is full of reproduction fabric - Gippsbeary Cottage in Korumburra, Victoria.  The presenter was Linda Collins of Quilts in the Barn fame.  She has published a book with Quiltmania and on this day she was showing us all the quilts that went into that book.  What a treat!  We had fun with Little Boy's Britches and Panama Pyramids as well.





Monday, March 25, 2019

Rising Sun for a Brand New Day

This is my recently finished Rising Sun block.




The Kansas City Star reminds the reader that "it is rather an intricate pattern, but will not daunt the quilter who aspires to a design that is both lovely and unusual."  It certainly was a challenge.  This block is pieced by hand using the English Paper Piecing method (over cut out papers).

I have made it before as an applique block.  Also a challenge, I'm not sure which method was easier.





That is all the quilty bits for this post.  You don't have to read any more but if you are one of my invisible friends you may want to continue.


I prepped the Rising Sun block so I could take it with me on holidays.  Our favourite holidays always involve beaches.

Moruya Heads, New South Wales


This was a special holiday because it celebrated the sale of our family business. I am now retired - more or less. I will still be looking for part time or casual work but I will no longer be in a shop six days a week - what a relief! 

It also means more time for quilts, both sewing and researching.  I have quite a few projects planned.  The only question now is - what do I do first?!


Friday, February 8, 2019

Progressive Club Quilt 1938~2018

I have a finish.



This is my reproduction of a quilt dated 1938 - 1939.  The original was made by members of the Banner, Oklahoma Progressive Club. 




The original quilt is densely quilted.  Mine is lightly quilted, but it is done by hand.














I used another scrappy quilt top as the back which suits it well.



I now have a new favourite quilt.

Thursday, January 24, 2019

Spider Web Quilt Block

"A Spider Quilt Made from Odd Materials"


Spider Web


This week's block is Spider Web.  Once the pieces are cut out it is very easy to piece. There are two Spider Web patterns in BlockBase, #292 and #2726. I used 292 to make this block, the eight triangles are the same size.  In the other pattern the print triangles are wider than the plain ones.  Other names for the block are Amazing Windmill, Autumn Leaves, Boston Pavement, Denver, Merry Go Round and Mystic Maze.

I found a nice 1950s scrappy Spider Web at Ann Quilts.




This is a good pattern for using odd materials, although any quilt is more sophisticated made in a definite and limited color scheme.  Spider web pieces easily, too. First sew the quadrangles of contrasting color to the bases of all isosceles triangles.  These augmented triangles then join and the corner triangles complete it into a square about 11 by 11 inches.  Make cutting patterns of cardboard from the ones here given.  Draw around with a pencil onto your material; cut a seam larger and sew back to the pencil line.  A splendid way to file these old-fashioned quit patterns is to put each series of cardboards into an envelope marked with the name and a sketch of the block.

I love the straight-forward directions written by Ruby McKim.  "Sew the quadrangles to the bases of all isosceles triangles." It was assumed that every quilter knew her geometry.



Thursday, January 17, 2019

Block of the Week? It's Been Done Before

How do I chose a block of the week to share?  I usually select something from one of the (many) projects I am currently working on. Today I was pondering which block to do today, perhaps something from my Kansas City Star CD-Rom. There are hundreds to chose from in the KCS collection, after all they published one block a week for years and years .....




Eureka! It was a light bulb moment for me.  All I had to do was chose a block published this week, just a few years earlier.  As it is now 2019, I went back to 1929, ninety years ago, to see what was the block of choice for this week. 


Monkey Wrench



Another Monkey Wrench




Also a Monkey Wrench

Back to the Kansas City Star.  Here is Monkey Wrench, January 16th, 1929.



This quilt is one of the best examples of how an exceedingly simple block may be set together into an intricate pattern.  Pieced blocks of squares and triangles cut from the given patterns and pieced as shown, alternate with 10-inch plain blocks, dark in one row and light in another.  It really isn't hard to do, although each "monkey wrench" must be turned at a certain angle, as the diagram indicates.  Make cardboard cutting patterns a seam larger than the four patterns here given.  Mark around each with a lead pencil and cut a seam larger, sewing back to the pencil lines.

This block really works well as an allover pattern.  But I would need more than a week for that.




Saturday, January 12, 2019

Sky Rocket in Sight

New Year's Eve was just last week so a Sky Rocket quilt block is still relevant.

Sky Rocket



It is tricky to piece. Use stitch and flip white corners on the yellow squares; and templates for the outside triangles.  Other names are Jewel Box, Starlight and Shooting Star.  The following is from the McKim Studios and was published in the Kansas City Star September 21, 1928.  The block was Block No. 12 in the McKim Sampler quilt. If you are a young quilter you will find the instructions interesting - this is how we used to cut patchwork pieces BRC (Before Rotary Cutters).


 

The sky rocket is another of the 12-inch blocks which is particularly well adapted for the pattern of a cushion.  Old fashioned oil calico prints are suggested for the material.  These patchwork pillows are just the thing for chair seats in an old fashioned rocker; or more scantily padded, these may be used to tie to breakfast room chairs.

If used in a quilt set the blocks together, diagonally, with alternated white blocks.  Half blocks (triangles) of the plain material are used to complete the ends of each row to make the quilt square.  A border of gold and white triangles pieced "zig-zag" makes a very attractive finish.

To make the block, trace the patterns given above on cardboard.  Then cut out the cardboard patterns and lay them on the cloth.  Trace around the pattern with a pencil mark.  These patterns do not allow for seams, so when you cut out the cloth allow sufficient margin beyond the pencil line, but when piecing the block, sew back to the pencil line. 

To piece the block, first add the small white triangles to the gold blocks to form squares; then make the center nine-patch.  Now piece the four corners and add to the center block to complete this lovely big design.